Introduced by Steinberg last week, the new Bravura music font is the first to conform to the proposed Standard Music Font Layout, or SMuFL, which is under active development. Rather than using a mnemonic approach to character mapping like most current music fonts (such as Sibelius’s fonts), Bravura aims to take advantage of the benefits of Unicode to map all of the symbols used in conventional music notation into a single range. Other SMuFL-compliant fonts created in the future would presumably work in the same way.
Bravura was made available under the SIL Open Font License, and while it is still very much a work-in-progress at pre-release v.0.1, I was as excited as a kid on Christmas morning, or the first night of Hanukkah, to try it out. Thanks to Andrew Moschou, a mathematician, engineer, teacher and musician based in Adelaide, Australia, I was able to do so. Andrew made a Sibelius-compatible version of Bravura called Taneyev.
I was able to drop it into Sibelius with relatively few modifications. The test document is an arrangement of Beethoven’s Romance, op. 50, transposed down a fourth and arranged for oboe and piano, which was a custom project I worked on recently. The baseline was a house style we use for a major publisher that uses Opus for musical symbols, Helsinki Text for music text, and Century Schoolbook for text. The only change I made between the Opus version and the Bravura/Taneyev version was to increase the thickness of the stems from 0.13 sp to 0.18 sp.
Feel free to click on each image to see the results in a 3-page PDF. Any engraving errors are entirely my own, and I take full responsibility for typos!