StaffPad is, quite simply, the most fun, innovative, and groundbreaking music notation software available today. The app’s introductory price is $50, available exclusively from the Windows Store. The only platform on which StaffPad is currently available, for reasons that we’ll soon explore in detail, is pen-and-touch based Windows 8 tablets like the Surface Pro.

With that in mind, let’s watch the 2-minute promotional video for StaffPad:

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Watching the video may conjure up a sense of déjà vu, but let’s not dwell on that too much…

A brief history of music handwriting apps

…OK, maybe just a little, for some brief history: In early 2013, a start-up called ThinkMusic caused a sensation by releasing a promotional video for an iOS app that recognized handwritten music. The video was later discovered to be a series of screenshots from Sibelius and GoodReader, and was ultimately used as a fundraising tool for an app that never materialized. Nevertheless, the buzz demonstrated the intense interest in such a product, if one ever were developed.

Then in October 2013, Neuratron introduced a beta version of NotateMe, a new music handwriting app for iOS and Android devices, with an official 1.0 release two months later. Having years of experience with music recognition technology via its PhotoScore desktop software, Neuratron was naturally positioned to enter the mobile space with a related product. Since then, Neuratron has released version 2 of NotateMe and has integrated PhotoScore directly into the mobile app, via an in-app purchase.

If you use NotateMe, you are aware of its strengths and its shortcomings. Writing something naturally and seeing it instantly converted into typeset notation is nothing short of magical — when it works. It can be disorienting, though, to see your scribbles interpreted by NotateMe in real-time when the interpreted result is not what you intended. Because a split-screen is required — you write music in one staff and it appears, somewhat disconnected from what you entered, above your entry — you can only view a relatively small portion of your music at a time. The non-native interface is, to me, visually unappealing compared to many modern apps. However, with practice, NotateMe is a useful tool for jotting down brief musical ideas and sharing them with yourself or others for later use, thanks to its built-in MIDI and MusicXML support, especially if the only tool you have with you at the time is your smartphone.

The beginnings of StaffPad

During this entire time, and even well before the ThinkMusic video appeared, composer, orchestrator and programmer David William Hearn was thinking a lot about musical notation and its relationship to the digital, mobile world. (You can read a longer interview with David on this blog.) David is no stranger to the world of music technology; indeed, he’s done some high-profile work in music for film, TV, advertising, and the stage, including working as music editor and programmer on the film adaptation of Les Misérables — a particularly challenging task, given the nature of that film’s live recording process. He’s also one half of the team behind the Cinematic Strings sample library for Kontakt.

David William Hearn, with StaffPad

David William Hearn, with StaffPad

With all this technological know-how, though, David said he was concerned about the growing remove between the creative inspiration and the technical skills needed to compose music digitally. “I worked in sequencers and had to buy Sibelius because I was doing string arrangements for pop records,” David told me. “But my focus was on sequencers, and it seemed that the two lived in very different worlds. You were expected to write into a sequencer and then lay it out and finish the job in Sibelius, if it was ever going to be played by real musicians. That killed productivity and inspiration for me. As much as I contribute to it with Cinematic Strings, I really dislike the act of getting up in the morning and switching on the computer, opening up Cubase, having some iLok error to deal with, creating MIDI tracks, loading in samples, buying new sounds… it’s not a musical process, it’s a technological process.”

So David set about thinking of a way to bridge the gap, and the music handwriting app was born. “The actual moment of ‘let’s do this’ came whilst I was sat in Air Studios with orchestrator Nicholas Dodd,” David said. “He’s probably one of the top orchestrators in the world. There had been some crisis on the film session we were at, and whilst we were having lunch chatting about how we could solve those kinds of issues, I floated the idea that I’d been having about making a notation app that’s designed around pen. Nicholas lit up in a way that you rarely see, and flooded the room with enthusiasm. That was the moment that I realized that, if it was done right, the app could be useful to true professionals — but also be simple enough for the casual musician, teacher, student to enjoy.”


David then built a non-functioning prototype, but needed some serious coding help. “When I started looking around for freelance developers that I could hire to help me build this vision,” David said, “I thought, well, I should first look to see if anyone’s done it already. At that time, nobody had, at all. But there was a page on Google Code that Matthew Tesch had started. It was basically an outline of something he wanted to do, but hadn’t started yet.”

A collaboration was born. “Matt’s been brilliant. He’s the coding genius that makes it all happen. The recognition is all Matt’s work,” David said. “He works for Carnegie Mellon University programming search and rescue robots! We’ve been working on this together for the past three years.”

Those three years of work have finally seen the light of day today. I’ve been working with an advance build of StaffPad for a few weeks now, so let’s take a detailed look at it. Read the full article →


hearnAvailable today exclusively from the Windows Store is StaffPad, a truly impressive new music handwriting app for pen-and-touch based Windows 8 tablets like the Surface Pro. Composer, orchestrator and programmer David William Hearn is the creator of StaffPad, and he and I spoke several weeks ago in advance of its release.

Many of his comments appear in the extensive review of StaffPad on this blog, but I thought readers would be interested in more of his remarks, particularly regarding why he was inspired to create the app. Our interview follows.

Read the full article →


musescore-logoOver the past year, this blog has featured discussions and interviews with representatives of several notation software producers. I had breakfast with MakeMusic’s Gear Fisher, Fred Flowerday and Mark Adler and spoke at length with Steinberg’s Daniel Spreadbury. We’ve had several discussions with Avid representatives, including software engineer Michael Ost; marketing manager Andrew Wild about Avid Everywhere; and recently with product staff Sam Butler and Joe Pearson about Sibelius Cloud Publishing.

In that spirit I invited MuseScore‘s co-founder and CEO Thomas Bonte for an interview to coincide with today’s release of MuseScore 2.0, a version five years in the making. I first met Thomas and his co-founder and CTO Nicolas Froment in 2011, when they visited New York for a Music Hack Day event. Their globe-trotting and development hasn’t stopped in the four years since then, and so I am grateful that Thomas was very generous with his time, answering these interview questions during a very busy period for MuseScore.


Nicolas Froment (MuseScore CTO), Werner Schweer (MuseScore lead developer), Thomas Bonte (MuseScore CEO)

Read on to learn more about Thomas, the history of MuseScore, what’s new in MuseScore 2.0, and what to expect for the future. Read the full article →


Route Sibelius or Finale MIDI to Logic via IAC bus

by Philip Rothman on March 18, 2015 · 2 comments

in Tutorials

Some seven years ago there was a post on this blog detailing the steps needed to use Logic Pro’s virtual instruments with Sibelius 6. Here’s an updated tutorial which makes things a little easier using the latest software: Sibelius 7.5 and Logic Pro X, and also includes steps for using Finale.

Needless to say, this tutorial only applies to Mac users.

Steps 1-4: Setting up the IAC bus

1. Open Audio MIDI Setup (found in your Applications/Utilities folder) and choose Window > Show MIDI Window.


2. Double-click the IAC Driver icon.

3. In the dialog that appears, check Device is online to turn on the driver. You can optionally specify more than one bus if you like, if you plan on using more than 16 instruments at one time (each bus can hold 16 channels).


4. Click Apply. Continue reading Steps 5-9 for Sibelius or Finale. Read the full article →


Thumbnail image for Correct voice positioning problems with Narrow Two Voices plug-in

Correct voice positioning problems with Narrow Two Voices plug-in

March 12, 2015

If you work with music that uses two voices and have been stymied by Sibelius’s stubborn positioning defaults, you need this longtime plug-in staple in your toolbox.

Read the full article →
Thumbnail image for New plug-in: Scale Notehead Sizes

New plug-in: Scale Notehead Sizes

March 5, 2015

A new plug-in easily resizes noteheads in Sibelius — making quick work of what was previously a time-consuming task.

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Thumbnail image for There It Is!

There It Is!

February 27, 2015

A plug-in designed to aid blind and vision-impaired people in navigating Sibelius can be helpful to sighted users too.

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Thumbnail image for NotePerformer updated to 1.4.0

NotePerformer updated to 1.4.0

February 24, 2015

The NotePerformer 1.4.0 update offers significant additions and enhancements to its integrated Sibelius playback module.

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Thumbnail image for Harp support in Sibelius

Harp support in Sibelius

February 20, 2015

Bob Zawalich gives us a helpful roundup of the variety of tips and plug-ins to help the notation and playback of harp passages in Sibelius.

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Thumbnail image for An interview with Daniel Spreadbury

An interview with Daniel Spreadbury

February 12, 2015

An extensive interview with Daniel Spreadbury about Steinberg’s scoring program, technology, music engraving, the state of the field, and more.

Read the full article →